![]() ![]() If you want to go nuts, use the second delay to create a longer delay tail with feedback. Raise the HP Filter knob if it gets muddy. The first delay has no feedback, and tuning the time in for your source material will let you get the most “natural” effect. ![]() Probably wouldn’t be great on a bass, but that’s where the high-pass filter comes in - throw it on something with sub and let the mono channel carry the weight, and the top end can float off to the sides. Great for synths, vocals, percussion, and all those little things. When summed to mono, you still get the original signal without the delays, so all you’re effectively doing is making your sound pop out of the left and right speakers. This is a rack which uses offset-phase delays to push your signal out to the sides. ![]()
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